Every once in a while, an anime series will take the world by storm and impress even the most jaded critics. Unfortunately, an anime’s stellar critical reception and reviews don’t always translate to the same love from viewers and casual fans.
Critics and fans rarely agree on anything, but in the case of these titles, the dissonance is very pronounced. It’s not just a case of different preferences, but a clear visualization of how the criteria for a “good” anime aren’t set in stone.
ten Haruhi Suzumiya’s Endless Eight melancholy was too repetitive
The infamous Endless Eight arc arguably undid it all The melancholy of Haruhi Suzumiya‘s popularity overnight, but it has been confirmed somewhat by time. Looking back, critics praised the eight-episode time loop for taking the creative risk of giving audiences the same confusion and frustration that Kyon and Yuki felt.
However, few fans shared this retroactive appreciation. For them, watching the same episode eight times was not only unbearable, but detrimental to the pacing of an otherwise great story. Even with The Disappearance of Haruhi Suzumiya giving the anime a grand finale, fans still blame the Endless Eight for killing Haruhi’s once unstoppable hype.
9 JoJo’s Bizarre Adventure: Phantom Blood Tends To Be Ignored
Given its anthological nature, watching JoJo’s Bizarre Adventure chronologically is not a necessity for some. That being said, JoJo’s fans jokingly or seriously recommend skipping the first part. Although not bad, phantom blood is considered the series’ weakest chapter since it’s a period melodrama that doesn’t even have the series’ signature Stand fights.
Critics, on the other hand, consider phantom blood is not only good in itself, but absolutely necessary to appreciate the whole of JoJo’s. The arc not only showcased the origins of the Joestar line, but established their generations-long blood feud against Dio Brando, whose return to Stardust Crusaders would resonate more with those who have completed the first part.
8 Fate/Stay Night is considered the weakest link in the Nasuverse
Due to the size and scale of the Nasuverse, deciding which of the many Spell anime is the “definitive” is an exercise in futility. That being said, fans agree that Studio DEEN’s adaptation of The Fifth Holy Grail War is the weakest and worst animated story in the series. In fact, some recommend ignoring it and starting with FateZero In place.
This, however, has not always been the case. Fate/Stay Night was the franchise’s first anime, and it was a huge hit upon release. The anime’s success has led to sequels, spinoffs, and even remakes, all of which enjoyed better production value. In contrast to Ufotable’s work on Unlimited Blade Works and others, the original Spell has lost its luster.
seven Mobile Suit Gundam is often dismissed as an outdated relic
The mecha anime genre wouldn’t be what it is today without the critically acclaimed film Mobile Suit Gundam, which not only codified the true robot subgenre, but influenced all of the mecha fiction that followed it. Although mecha fans recognize the importance of the watershed series, it will take a lot of convincing to get them to watch the first clash of Amuro Ray and Char Aznable.
As far as modern audiences go, the 1979 anime is an artifact of its time that hasn’t aged too well. Besides its dated animation, a lot of Mobile Suit Gundamit is the ideas and stories were best told by succeeding the anime – including other Gundam securities. In reality, Zeta Gundam tends to be nostalgic Gundam anime of choice.
6 Love Hina was truly a product of her time
Today, I love Hina is despised for aging terribly. When anime isn’t criticized for being so cliched and seamlessly granting wishes (as harem anime tends to be), it’s accused of shedding light on domestic violence. Believe it or not, there was a time when Keitaro Urashima and his girlfriends’ hijinks were critical darlings.
It may be hard to remember now, but I love Hina was the most influential harem anime of its time. Modern harem anime owes its existence to the once critically acclaimed film I love Hina, which defined its archetypes, standards and tropes. Now that other harem shows have improved its formula, I love Hina pales in comparison to his successors.
5 Yuri!! On Ice has been accused of being overhyped
Yuri!! On the ice was practically a trend in itself in 2016. The hit sports anime not only popularized ice skating like never before, but it was widely considered one of the biggest leaps forward for gay representation in mainstream media. While critics praised Yuri Katsuki and Victor Nikiforov’s love story, others didn’t think it was worth it.
Anime’s harshest reviews came from dedicated yaoi fans, who saw it as a weak BL (love of boys) story that pulled its punches. For example, Yuri and Victor’s kisses were almost never fully shown due to practical obstructions. Others wanted Yuri!! On the ice addressed specific LGBTQ+ struggles, which they felt were glossed over.
4 Attack on Titan can be interpreted as militaristic propaganda
It goes without saying that The attack of the Titans is one of the most important anime of the last decade. Not only was it a breath of mature fresh air that was created during the height of isekai broadcasts, but it was anime that solidified the medium’s place in the global mainstream. The more people looked at him, however, the more his perceived flaws surfaced.
While critics argued The attack of the Titansthe creative and historical significance of, diehard anime fans have dismissed it as a clone of better war stories like Gundam at best and fascist apology at worst. It is almost impossible to separate the actions and ideals of the Survey Corps from the nationalist politics of mangaka Hajime Isayama, which is a major obstacle for some viewers.
3 The unfortunate implications of jobless reincarnation are hard to ignore
Unemployed reincarnation (Where Mushoku Tenseilisten)) is considered the grandfather of the isekai genre, as the original light novels codified the formula and laid the foundation for modern isekai history. That glowing reputation applied to the anime as well, with critics loving Studio Bind’s incredible animation and compelling characterizations and stories that unfolded.
However, the story’s protagonist, Rudeus Greyrat, caused an uproar among viewers. In short, Rudeus is an adult in his thirties in the body of a boy. Rudeus often acted on the evil tendencies of his former self, which became more disturbing when carried out by a child. Some attributed this to the age of the material, while others did not.
2 WataMote was hard to watch for hardcore anime fans
Slice of life anime featuring otaku like Wotakoi: Love is hard for an otaku are usually hits with anime fans, especially if they portray their nerdy heroes positively. WataMote (Where No matter how I see it, it’s your fault that I’m not popular!), meanwhile, did the opposite with Tomoko Kuroki, and his reputation suffered.
If critics admired WataMoteRefusing to pander to otaku egos and interests by being painfully realistic, anime fans disliked Tomoko as a harsh representation of themselves. While some saw Tomoko as a petty caricature of otakus, others felt she touched a very personal nerve, preventing them from watching more than one episode.
1 Neon Genesis Evangelion may be inscrutable to mainstream viewers
Neon Genesis Evangelion is, without a doubt, one of the most polarizing works of fiction ever conceived. While critics loved its philosophically charged and surreal deconstruction of mecha anime, an equally vocal group of mainstream viewers hated it for the same reasons. In short, evangelization was pretentious towards his detractors.
evangelizationThe movies only escalated the debate, as they refused to give audiences the mecha story they thought was promised by its early installments. It didn’t help that showrunner Hideaki Anno used his show to deal with his own personal issues — a creative choice praised by critics, but dismissed as indulgent by others.
NEXT: 10 Anime Characters Who Never Grow Or Change (And Are Boring Because Of It)